Here are some great sites to go to if you want to learn more about Art Deco.
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Sunday, June 2, 2013
The Prometheus Building
This is the Prometheus Building, a corporate Art Deco
skyscraper that I designed and modeled. It includes eyebrows, vertical lines, porthole windows, uniformity
geometric shapes, color, step pyramids, and a stained glass window. The building
also tells the story from Greek mythology of Prometheus, who stole fire from
heaven and gave it to humans. The decoration at the top are meant to echo
descending flame, traveling down the copper lines at the center of the
building, and the stained glass window portrays human hands reaching out to
catch them. This building would be made out of an alloy with copper accents if
actually built.
The core structure of the building was made out of bass wood. I then used rhinestones to make the windows. In order to construct the eyebrows and the vertical lines, I needed something more pliable, so I used balsa wood. I sanded down an "L" shape in order to get the curved edges. For the ziggurat, I used foam-core; the degree of precision that I needed for the cuts was too fine for the saws that I had access to. I finished it off with paint and colored pencils (for the doorway)
I also modeled the building on Sketch-Up, which was great because I was able to add a ledge around the windows which was virtually impossible in my model. I constructed the component parts and then copy-pasted everything together in order to assemble the building. I made the main unit by constructing a box and then copy-pasting a window onto it several times. That was the most time-consuming part of the project.
Finally, I designed an interior of the building. It's an office for a pretty important person who works in the building. I tried to base some of the furniture loosely around Art Deco pieces. It includes a doorway, a desk, a bookshelf surrounding the desk with trophies, books, and plants on it, as wells as a desk chair and a porthole window with curtains.
The LeVeque Tower
The LeVeque Tower is located at 50 West Broad Street in
Columbus, Ohio. It was originally built by the rapidly growing American
Insurance Union, who called it the AIU Citadel, or the Citadel. They broke
ground in 1924, but they didn’t finish until 1927. Inside the building is a
bronze plaque with the position of the planets at the time that the cornerstone
was laid. The LeVeque Tower is five hundred fifty-five feet tall, intentionally
taller than the Washington Monument, making it the tallest building in Columbus
at the time (The Rhodes State Office Tower overtook it in 1973).
However, AIU’s luck changed during the Depression. The tower
took up a lot of their money, and the company went bankrupt. Leslie Leveque and
John Lincoln (the founder of Lincoln Insurance) bought the tower and renamed it
the Lincoln-LeVeque Tower. In 1975, it was placed on the National Register of
Historic Places. Two years later, its name was changed to the LeVeque Tower. It
used to function as a lighthouse for planes and cars, but now it is lit up for a
other reasons. To recognize special occasions, such as Breast Cancer Awareness
month, Christmas, and the like, the usual white lights are changed into colored
ones. Currently, the building is being culturally revitalized and physically
restored.
Its current owners are the investors from Tower Ten LLC.
They are trying to turn the mostly vacant tower into a more culturally relevant
building. Ideally, there would be residences at the top, offices in the middle,
and a boutique hotel on the lower floors. Already, the old observation deck on
the forty-fourth and forty-third floors serves as a deluxe penthouse to an
anonymous renter. Earlier on, a DJ, John Fraim, used the space for living and
conducting celebrity interviews.
In addition to being built at the heart of the Art Deco time
period, the LeVeque Tower has all the characteristics of art deco. It has a
very orderly look. The top of the building forms a zugguraut. There are a lot
of icons and symbols of the building, besides the horoscope. I saw eagles
(which have 25 foot wingspans), classical figures, and bronze plaques with all
kinds of motifs. It’s worth noting that the plaques were made out of metal, and
were done in the bas relief style. There are so many windows on the LeVeque
Tower, and they are positioned in vertical lines. I did see a few eyebrows,
although they weren’t as prominent feature. There are also a lot of curves,
especially at the top of windows and doors.
All the pictures are mine, but here are the sources I used to get information about the Tower.
http://www.touring-ohio.com/central/columbus/leveque-tower.html
http://www.dispatch.com/content/stories/home_and_garden/2008/04/27/LEVEQUE.ART_ART_04-27-08_H1_SHA09FM.html
http://www.10tv.com/content/stories/2012/06/08/columbus-200columbus-leveque-tower-makeover-bicentennial.html
http://www.dispatch.com/content/stories/business/2011/03/11/leveque-tower-downtown-icon-changes-hands.html
http://www.dispatch.com/content/stories/editorials/2012/07/07/leveque-facelift.html
http://www.columbusunderground.com/work-is-under-way-on-a-mixed-use-conversion-for-leveque-tower
Tuesday, May 28, 2013
Southern Art Deco Buildings
This
Coca-Cola bottling plant is a fabulous example of a curved corner, as well as
porthole windows and an 'eyebrow.' The whole building is very nautical-looking.
This
house is very Art Deco. It has bright colors, geometric shapes, a ziggurat,
vertical lines, porthole windows, and eyebrows.
http://www.you-are-here.com/los_angeles/coca_cola.jpg Ocean Drive is an excellent example of Floridian Art Deco, featuring bright colors, vertical stripes, and eyebrows. |
http://fcit.usf.edu/florida/photos/arts/sbdeco/photos/sbdeco01.jpg |
http://www.artdecopb.org/3811wallst.jpg |
Examples of Art Deco Buildings
The
metallic Empire State building exemplifies both horizontal lines and the
ziggurat.
The
Chrysler Building is a great example of a ziggurat. It also uses a lot of
geometric shapes and horizontal lines. Also, it features an icon: the eagle
head. The Crystler building is my favorite Art Deco building, and one of my all time favorite buildings.
The American Radiator Building is an excellent example of a
ziggurat. It is also America's first Art Deco skyscraper.
The Rockefeller Center is a very Art Deco place. This
building is a good example of a ziggurat, vertical lines, and metal.
http://therealdeal.com/wp-content/uploads/2012/11/empire-state-building_1_.gif |
http://www.nybeyondsight.org/img/portspics/chrysler-building.jpg |
By Gigi alt (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons |
http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/GE_Building_by_David_Shankbone.JPG/445px-GE_Building_by_David_Shankbone.JPG |
Friday, May 17, 2013
The End of Art Deco
Like all things, the halcyon of Art Deco came to
an end. When World War Two broke out, the highly adorned Art Deco designs that
had captivated America for the past several years were considered overly
opulent and unnecessary in a culture that was facing rationing and a global
conflict. However, Art Deco lives on. Much of contemporary architecture
features glass blocking and metal. And, of course, skyscrapers continue to be
built to this day. However, Art Deco’s most important legacy is the culture it
helped build. Even decades after the decline of Art Deco, buildings such as the
Empire State Building are synonymous with the American urban experience,
especially in areas like New York and Florida, where there were many Art Deco
buildings.
Thursday, May 16, 2013
Characteristics of Art Deco
Here are some of the distinctive characteristics of Art Deco buildings and my explanation of why they occur.
Art Deco had a very distinctive look. Unlike the organic nature of the
Art Nouveau, it was an orderly, mathematical style. The rule of three featured
prominently in many Art Deco style buildings. Geometric designs, often
abstractions of both natural and manmade objects, were used to symbolize the
uniformity of assembly line goods.
Buildings done in this style were very colorful, especially in Miami. The bold, almost candy-shop hues were toned down when the Depression hit. In addition, vertical lines were a common motif in Art Deco buildings. Metal was also prominently featured in some Art Deco buildings; only in the Machine Age did alloys become inexpensive enough to be used widely as a building material. One of the most iconic Art Deco motifs was the rounded corner, also made possible by advanced technology and inspired by the new, aerodynamic vehicles.
Art Deco had a very distinctive look. Unlike the organic nature of the
Art Nouveau, it was an orderly, mathematical style. The rule of three featured
prominently in many Art Deco style buildings. Geometric designs, often
abstractions of both natural and manmade objects, were used to symbolize the
uniformity of assembly line goods.
Art Deco borrowed from other
styles. The ziggurat (step pyramid) was incorporated from Ancient Egypt, where
it was used to symbolize reaching for the sky and for the gods. This motif
represented something similar when used in Art Deco: the act of reaching for
greatness and the idea that in the modern age, anything is possible. My personal belief is that, while regular pyramids represent an impossible climb to the heavens, a ziggurat represents that, with perseverence, these heights can be reached.
Icons were
also used frequently in Art Deco, often as part of a bas relief. These icons
were often traditional American symbols or elements of an ancient mythology.
Many times, these icons were chosen very deliberately in order to show the
function of the building, as well as to lend it a sense of grandeur.
Windows and other uses of glass are
also very important in Art Deco architecture. Eyebrows, or ledges above a
window, served the pragmatic function of keeping direct sunlight out of the
interior, while etched glass served a more decorative purpose. Porthole windows,
inspired by ships, one of the period’s prominent forms of transportation,
exemplified the genre’s theme of technology. Glass blocks (bricks made out of
treated glass) were often used to form a ziggurat.
Buildings done in this style were very colorful, especially in Miami. The bold, almost candy-shop hues were toned down when the Depression hit. In addition, vertical lines were a common motif in Art Deco buildings. Metal was also prominently featured in some Art Deco buildings; only in the Machine Age did alloys become inexpensive enough to be used widely as a building material. One of the most iconic Art Deco motifs was the rounded corner, also made possible by advanced technology and inspired by the new, aerodynamic vehicles.
Art Nouveau
Here are some beautiful Art Nouveau buildings to contrast to the Art Deco ones.
Flickr user A.Currell used a Canon PowerShot A520 to take this picture on .April 8, 2007 |
Truus, Bob & Jan of Holland took this picture on December 17, 2011 in Pl. de Brouckere, Bruxelles, Capital Region of Brussels, BE, with a Panasonic DMC-TZ7. It was posted to the Flickr account Truus, Bob & Jan too! |
History of Art Deco
Although I'm focusing on American Art Deco, the movement actually started overseas. I love the fact that Art Deco started out so against the status quo and then became such an icon of its time.
In 1922, The Chicago Tribune needed
a new headquarters. To this end, they allowed architects from all around the
world to submit designs for consideration. An American called Raymond Hood won
the competition, but the community of architects was more intrigued by the
Finnish Eliel Saarinen’s design, which incorporated elements of a new and
unusual style. When Hood won another competition, he used some of the same
ideas, fused with Gothic architecture, to create the America’s first Art Deco
skyscraper. Three years after this, in 1925, the Exposition des Arts Decoratifs
et Industriels was held in Paris, marking the official beginning of Art Deco. Although Secretary of Commerce Herbert Hoover
banned official American involvement, believing American architecture was not
innovative enough to include in the event, some Americans went anyway and
brought ideas back to their compatriots, who adopted the style with a zeal
fueled by a desire to prove their creativity to their government. Soon, Art Deco structures such as William Van
Alen’s Chrysler Building, William F. Lamb’s Empire State Building, Rockefeller
Center (designed by Raymond Hood, along with Henry Hofmeister and H.W. Corbett),
the buildings on Florida’s Ocean Drive, and Robert V. Derrah’s Coca-Cola
bottling plant in Los Angeles sprang up across Art Deco’s adopted nation. A
deeply cultural genre of architecture, Art Deco helped to inspire America as it
was poised to enter the modern age.
Art Deco was a conscious reaction against Art
Nouveau, a style commonly used in the late nineteenth and early twentieth
centuries. While Art Nouveau focused on the curves and other organic shapes of
nature, Art Deco emphasized the clean, simple lines of the machine. Art Nouveau
was a rejection of the uniformity and materialism of the Machine Age; Art Deco
was a celebration of the future it brought. The latter, which was very
different from most of the genres preceding it, was a perfect fit for an age
that characterized itself by breaking tradition
Friday, May 3, 2013
Cultural Background of Art Deco
One of the things that drew me to Art Deco was how steeped in historic and cultural context it is. It is truly a product of it's times. The brilliant people of the 1920's put the most cherished elements of their culture into their buildings. Here's an exert from my paper in which I discuss this in more detail.
Art Deco cannot be properly understood without knowledge of the time period that incubated it. The nineteen-twenties were a time of social change; a new worldview began in the cities and spread across the country, causing people to reconsider traditional attitudes, morals, and ways of life. Electric lights made it possible for factories to work day and night, churning out more and more uniform goods. Gone were the days of homespun fabric; everything was produced on the assembly line. Transportation became more accessible , and mass media (i.e. the radio) united people across regional, cultural, racial, and socioeconomic boundaries, encouraging them to live out the traditional American dream in a consumer society. More and more people poured into cities, lured by their excitement, glamour, and the hope of making a fortune. However, this new mechanized consumer culture did not thrill everyone.Art Deco was a conscious reaction against Art Nouveau, a style commonly used in the late nineteenth and early twentieth centuries. While Art Nouveau focused on the curves and other organic shapes of nature, Art Deco emphasized the clean, simple lines of the machine. Art Nouveau was a rejection of the uniformity and materialism of the Machine Age; Art Deco was a celebration of the future it brought. The latter, which was very different from most of the genres preceding it, was a perfect fit for an age that characterized itself by breaking tradition
Welcome to the Wonderful World of Art Deco
Hello!
First of all, a note about this blog. This is a capstone project for a class called Geometry, Art, and Architecture. Obviously, I focused on Art Deco. I'm going to be posting information about Art Deco and (to a lesser extent) the 1920s. I'm also going to be sharing some images of my favorite Art Deco buildings as well as an Art Deco building of my own design.
I hope you enjoy it!
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